El Topo decides to confront warrior Masters on a
trans-formative desert journey he begins with his 6 year old son, who must bury
his childhood totems to become a man. El Topo (the mole) claims to be God,
while dressed as a gunfighter in black, riding a horse through a spiritual,
mystical landscape strewn with old Western movie, and ancient Eastern religious
symbols. Bandits slaughtered a village on his path, so El Topo avenges the
massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal
way is bloody, sexual and self-reflective, musing of his own demons, as he
tries to vanquish those he encounters.
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